Cross-strung harps and 2D:4D>1

I admit that I am curious about how the 2D:4D>1 hand would fit on a cross-strung harp, especially since a non-trivial point of fingering technique on a cross-strung is placing the fingers in the order 2-3-4-1, where the hand is “cupped” in a very natural and comfortable position while playing 4-string chords and arpeggios.

I prefer the darker, more chocolatey sound of a pedal harp over the lighter, more citrus sound of a cross-strung, but I admit that the cross-strung is looking like an excellent option for people with unusually high 2D:4D ratios if they like how it sounds.